My art practice lives in the space between gag and gut-punch. I use cartoon logic—anvils, crying creatures, fake dynamite—to talk about weird thoughts and feelings that don’t behave. It’s self-help, part slapstick. I make soft sculptures, objects, drawings, installations, and performance pieces that explore the human condition and how to be authentic (if you find out, let me know?).

​Cartoon physics lets me bend reality to say what can’t be said straight. It’s a way to talk about emotional impact without needing to be literal. When something explodes, falls, or stretches—so do we. Its also just really good for mental health. Have you ever tried stabbing wool with a very tiny sharp needle for hours? Its fabulous.