My artistic work is centred on one persistent question: how do we visualise our inner life? Over the years I’ve worked across performance, video, photography, sculpture and illustration, exploring ways to make invisible psychological states tangible, in galleries, multi-arts venues and public space.

 

Increasingly, cartoon language has become my primary tool for doing this. I draw on cartoons because their logic allows contradictions and conflicting emotions to exist within one space at the same time, which feels truer to my own lived experience as a queer neurodiverse artist.

 

I’m often interested in how cartoon characters rendered and distributed through different materials and reproduction techniques can be deeply relatable, holding space for something more profound, unsettling and often absurd.