I have extensive experience producing installations, performance art, and events across public space, pop-up contexts, galleries, museums, and multi-arts venues.
Through this work, I’ve become particularly interested in experiential, multidisciplinary projects that cross thresholds, challenge expectations and create mess. I love working with artists who back themselves, build momentum through imperfect work, and develop ideas through live testing.
Alongside creative producing, I’ve worked as a Curator and Programmer for fifteen years, in community arts and for institutions. My wide ranging experience has shaped a simple conviction: audiences don’t need million-dollar productions to find meaning. Clear intention, thoughtful context, and interrogating audience experience are what build great work.
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The projects I produce
Projects that are in unusual spaces, experiment with formats, are unconcerned with being fashionable, draw on other disciplines and respond to new technologies and emerging ideas. Flexible and scalable across contexts.
Who I work with
Artists who are self-motivated, open to new ways of working, take creative risk and get their hands dirty. Organisations that support artist self-determination, bust outside their walls and are passionate about community and the public realm.
The work I do
For artists: I help shape ideas, find venues and presentation partners, manage production logistics and support broader practice positioning.
For organisations: I produce projects and programs, supporting delivery from concept to completion.
"How to Make a Foam Machine" by Lichen Kelp, Showtime Night Market, 2019
ACCA
ACMI
Arts Centre Melbourne
Arts House
Balam Balam Place
Buxton Contemporary
Collingwood Yards
Creative Urban Places
GSPF
MPavilion Parkville
Melbourne Fringe
PICA
Science Gallery Melbourne
Testing Grounds
The Substation
Westspace Gallery
Organisations I've made art with: